Bryan Derbella
They tell you at rehab meetings that once an addict, always an addict.
True enough. But Bryan Derballa's multimedia piece on Jason Andrades, a
young and eloquent dope pusher, proves there are forces stronger than
addiction.
—martian
Globe and Mail
Roger Cox, a self-proclaimed "functional alcoholic," lives next to a log on a Vancouver beach. He also carves soapstone statues that sell for buku bucks.
—mondo
Anne-Marie Jackson
Anne-Marie Jackson produces a breath-freshening light-hearted piece documenting Camp Quality, a camp specialized for children with cancer.
—mamita
Democrat and Chronicle
Will Yurman presents an overwhelming grid of faces—all victims of homicide in Rochester, NY—in order of and during the 2007 calendar year.
—mamita
Onion
Well, that's better than electing McCain.
—mondo
Magnum In Motion
Magnum photog Patrick Zachman finds himself drifting through city streets lit by neon signs.
—martian
Time
Mall of America empty? Must be the sign of a sound economy.
—martian
Vice
You've heard it before, that saying, "everyone is a photographer." Richard Kern assures us by way of photo experiment, not so much.
—mamita
St. Pete Times
Photographer Kainaz Amaria documents the personal stories of Florida
voters during an election that shattered racial precedents.
—martian
Washington Post
Every year in rural Virginia, thousands of uninsured and underinsured seek medical care at a three-day-long field clinic.
—mondo
Chicago Tribune
The Tribune takes us to a South Side housing project to hear the story
of one of its residents, eleven-year-old Everett Johnson.
Unfortunately, Johnson's tale is not unique to this community, where
poverty is rampant and violence is the norm.
—martian
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Jonathan Clark
I was mildly impressed with Clark's photos: wide-open shots of angels [sometimes headless and limbless] and the statuary that "live" in Streatham cemetery, all photographed over the course of four seasons, and separated respectively.
—mamita
NY Times
A Penn State prof uses something called "schlieren" photography to
capture colorful images of a human cough, the shock waves from an
explosion, even a dog's sniff.
—mondo
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